MasterTheWorkflow – Feature Film Assistant Editor Immersion – Bingo Night
$80.00$897.00 (-91%)
The competition is FIERCE! Warner Media, Disney, Apple and others all launched new streaming services. Film & TV production is at an ALL TIME HIGH!
MasterTheWorkflow – Feature Film Assistant Editor Immersion – Bingo Night
Check it out: MasterTheWorkflow – Feature Film Assistant Editor Immersion – Bingo Night
LEARN THE PROFESSIONAL FEATURE FILM & TELEVISION EDITING WORKFLOW
01. GLOBAL DISTRIBUTION
By 2024 ALL streaming services will be available worldwide.
02. REVENUE
In 2020 streaming services won 2.1 billion dollars, 37% more than the previous year.
03. QUANTITY
The competition is FIERCE! Warner Media, Disney, Apple and others all launched new streaming services. Film & TV production is at an ALL TIME HIGH!
What You’ll Learn Inside:
01 – Module: Pre-Production
-Terms, concepts and paperwork
-Initial meeting with your editor
-The pre-production and post pipeline meetings
02 – Module: Setting Up
-Setting up the cutting room
-Peripheral software needs
-Setting up the project
-Avid project layout and bin organization
-Avid ISIS organization
and workspaces
03 – Module: Digital Codebook
-Globals, continuity, wall cards & shoot progress reports
-The Core Codebook – Walkthrough
-The Core Codebook – Continued
-Lists & Logs – 1
-Lists & Logs – 2
-Reports
-VFX Database
-Petty Cash Tracker
04 – Module: Principal Photography
-Lab Dailies
-Syncing Dailies Manually
-Dailies – Continued
-Using ScriptSync
-Dailies Paperwork
05 – Module: Editorial
-Music & Sound FX Organization
-Visual Effects Prep & Tracking
-Editorial – Part 3
-Spotting Sessions
-Previews & Test
Screening
-Editing Room Diplomacy
06 – Module: Finishing
-Visual Effects
-Picture Turnovers
-Change Lists &
Re-balancing
-Sound Turnovers
-DI Stage, Mix Stage,
Deliverables & Wrap-up
MEET YOUR INSTRUCTORS
Lawrence Jordan is an Emmy & ACE Eddie nominated feature film and television editor who has worked on over 50 feature films and television shows and is the co-creator of Master The Workflow. As one of the earliest adopters of digital, non-linear editing, he helped lay the groundwork for the modern editorial workflow. He recently completed the independent feature film Later Days.
Richard Sanchez works as both a visual effects editor and an assistant editor. He’s assisted on the films Suicide Squad, Robin Hood and Naked, and on the television series Table 19, The Good Place and UFO Hunters. More recently he was the visual effects editor on Hulu’s Catch-22 and Bill & Ted Face The Music. He is currently working on a new series for Marvel Studios.
