D.Ramirez – FaderPro – Tech House Masterclass

D.Ramirez – FaderPro – Tech House Masterclass

Check it out: D.Ramirez – FaderPro – Tech House Masterclass

In this course, Dean will demonstrate exactly how he uses the power of Logic Pro and all it’s features to create tracks from scratch to a finished final master! His “Tech House Masterclass” is one of the most in-depth and technically challenging courses to date. Dean demonstrates everything with an “native” option that allows you to use LogicPro to its fullest extent. In addition, he gives you all the project files and sounds so you can follow-along every step of the way and achieve the exact finished master.

ABOUT THIS COURSE
– 7 Hours Course Content
– Platform: Logic Pro X
– Includes Project DAW Files

Course
Chapter 1 – Creating a Tech House Template
Chapter 2 – Working With the K Scale
Chapter 3 – Layering a Unique Kick
Chapter 4 – Hats & Claps
Chapter 5 – Groove Elements
Chapter 6 – Groove Elements Part II
Chapter 7 – Composing the Bassline
Chapter 8 – Melodic Elements Part I
Chapter 9 – Melodic Elements Part II
Chapter 10 – Atmospherics
Chapter 11 – Vocals Part I
Chapter 12 – Take Folder Vocals
Chapter 13 – Arrangement Part I
Chapter 14 – Arrangement Part II
Chapter 15 – Arrangement Part III
Chapter 16 – Arrangement Arrangement Part IIII
Chapter 17 – The Mixdown & Processing
Chapter 18 – Creating a DJ Master

D. Ramirez is a name that has been synonymous with cutting edge, forward thinking sound since the release of ‘that’ genre defining remix of Bodyrox’s “Yeah Yeah” in 2006. But it’s the rich tapestry of production that followed that continues to entice tidal waves across the dance music industry. Groundbreaking releases on Toolroom, such as 2009’s underground anthem “Downpipe” with Underworld & Mark Knight, and the ground-breaking Cevin Fisher collaboration ‘Restless’ in 2012, was a catalyst for the explosion of the recent ‘G-House’ scene. He has achieved five Top 20 hits, and appeared on BBC Television’s music program, Top of the Pops, his highest standing in the mainstream music scene was his remix of Bodyrox’s “Yeah Yeah”, which earned him an Ivor Novello Award nomination.